小说《月亮宝石》中人物角色的存在女性主义解读
发布时间：2023-02-27 18:38
威尔基·柯林斯的代表作《月亮宝石》被誉为第一部最伟大的英国侦探小说。本篇论文旨在运用西蒙娜·德·波伏娃的存在女性主义理论解读小说《月亮宝石》中的人物角色，试图揭示该小说中所体现的女性主义思想。 波伏娃是现代女性主义最重要的代表人物之一。在她的著作《第二性》中，波伏娃以一种存在主义的视角对女性在父权社会中的处境作了独到的剖析:“女人不是天生的，而是逐渐形成的。” 论文从波伏娃的存在女性主义角度出发，对小说《月亮宝石》中的新女性形象与被颠覆的男性形象做了深入的解读。一方面，三个具有反叛精神的女性勇于挑战男性强加给女性的“他者”身份以及压制女性的父权制度，力求实现她们的主体性：小说中雷切儿通过挑战男性权威、公众舆论以及压制女性的行为规范，来寻找自我；罗赞娜打破了男性占主体地位的求爱传统、性行为规范及话语惯例，成为了独立的个体；露西试图完全摆脱男性来追求自己本真的存在。另一方面，小说中三个男性被剥夺了传统男性所具有的优越性与主体性，反而沦为了“他者”：戈弗雷虚伪的与被客体化的反传统绅士形象，削弱了父权社会中男性的权威与主体地位；约翰先生在婚姻中的“他者”身份动摇了传统婚姻制度中男性的主体地位；...
【文章页数】：67 页
【学位级别】：硕士
【文章目录】：
Acknowledgements
中文摘要
Abstract
中文提要
Synopsis
Contents
Introduction
Chapter One Wilkie Collins and The Moonstone
1.1 Wilkie Collins’s Life and Literary Career
1.2 Wilkie Collins’s Feminist Thought
1.3 Main Plot of The Moonstone
Chapter Two Theoretical Framework
2.1 An Overview of Feminist Criticism
2.2 Introduction to Simone de Beauvoir’s Existentialist Feminist Theory
2.2.1 Sartre’s Being and Nothingness: Backdrop to Beauvoir’s Existentialist Feminism
2.2.2 Beauvoir’s Existentialist Feminism
Chapter Three New Images of Women in The Moonstone
3.1 Rachel——Self-conscious Woman Fighting for Self-identity
3.1.1 Rachel’s Strong Sense of Self-consciousness
3.1.2 Rachel’s Fight for Self-identity
3.2 Rosanna——Transgressive Woman Struggling for Authentic Existence
3.2.1 Rosanna’s Transgression of Objectified Position
3.2.2 Rosanna’s Struggle for Self-expression
3.3 Lucy——Lesbian Pursuing Independent Existence
3.3.1 Lucy’s Resistance against Heterosexual Love
3.3.2 Lucy’s Pursuit of Subject Position
Chapter Four Subverted Images of Men in The Moonstone
4.1 Godfrey——Subverted Image of Gentleman
4.1.1 Godfrey’s Diminished Male Authority
4.1.2 Godfrey’s Objectified Position
4.2 Sir John——Subverted Image of Husband
4.2.1 Sir John’s Lack of Subject Consciousness
4.2.2 Sir John as His Wife’s Inferior
4.3 Betteredge——Subverted Image of Father
4.3.1 Betteredge’s Objectified Position
4.3.2 Betteredge as His Daughter’s Inferior
Conclusion
Bibliography
个人简历
本文编号：3751243
【文章页数】：67 页
【学位级别】：硕士
【文章目录】：
Acknowledgements
中文摘要
Abstract
中文提要
Synopsis
Contents
Introduction
Chapter One Wilkie Collins and The Moonstone
1.1 Wilkie Collins’s Life and Literary Career
1.2 Wilkie Collins’s Feminist Thought
1.3 Main Plot of The Moonstone
Chapter Two Theoretical Framework
2.1 An Overview of Feminist Criticism
2.2 Introduction to Simone de Beauvoir’s Existentialist Feminist Theory
2.2.1 Sartre’s Being and Nothingness: Backdrop to Beauvoir’s Existentialist Feminism
2.2.2 Beauvoir’s Existentialist Feminism
Chapter Three New Images of Women in The Moonstone
3.1 Rachel——Self-conscious Woman Fighting for Self-identity
3.1.1 Rachel’s Strong Sense of Self-consciousness
3.1.2 Rachel’s Fight for Self-identity
3.2 Rosanna——Transgressive Woman Struggling for Authentic Existence
3.2.1 Rosanna’s Transgression of Objectified Position
3.2.2 Rosanna’s Struggle for Self-expression
3.3 Lucy——Lesbian Pursuing Independent Existence
3.3.1 Lucy’s Resistance against Heterosexual Love
3.3.2 Lucy’s Pursuit of Subject Position
Chapter Four Subverted Images of Men in The Moonstone
4.1 Godfrey——Subverted Image of Gentleman
4.1.1 Godfrey’s Diminished Male Authority
4.1.2 Godfrey’s Objectified Position
4.2 Sir John——Subverted Image of Husband
4.2.1 Sir John’s Lack of Subject Consciousness
4.2.2 Sir John as His Wife’s Inferior
4.3 Betteredge——Subverted Image of Father
4.3.1 Betteredge’s Objectified Position
4.3.2 Betteredge as His Daughter’s Inferior
Conclusion
Bibliography
个人简历
本文编号：3751243
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