从《杰·阿·普鲁弗洛克的情歌》看托·斯·艾略特的文学理论与实践
发布时间：2024-04-21 02:00
托·斯·艾略特(1888—1965)是二十世纪英美文学史上最重要的诗人之一,同时也是一个有极大影响的文学批评家,是英美新批评派的开山鼻祖。他对于传统的新阐释具有划时代的意义;他提出的“非个性化”理论和寻找“客观对应物”的创作手法对现代西方文学批评和诗歌创作产生了巨大的影响。他的诗和一套文论引发了人们轰轰烈烈的讨论与研究,至今余波未息。然而,人们往往未能把他的文论和诗歌作品联系起来研究,由此导致对艾略特作品的片面理解或不理解,甚至误解。事实上,作家的文艺观点总是贯穿于他的创作实践。换言之,作家的作品是其文艺思想的再现与具体化,正如《伟大的传统》序中所言:“文学批评史上的主要人物(如柯尔律治和托·斯·艾略特)往往也有文学作品传世,他们既是批评家,又是诗人,人们因钦佩他们的诗才而相信他们的判断。”因此,本文力图结合艾略特的文论《传统与个人才能》对他的文艺思想作一些初步的探讨,并联系其早期名诗《杰·阿尔弗瑞得·普鲁弗洛克的情歌》(以下简称为《情歌》)考察其理论与实践的结合。本文以新批评尤其是细读法为主要理论框架来探讨《情歌》的艺术价值,指出艾略特的“传统”观、“客观对应物”理论和“非个性化”思...
【文章页数】：65 页
【学位级别】：硕士
【文章目录】：
Introduction
Chapter One: The Theory of "Tradition" Practiced in "The Love Song of J.Alfred Prufrock"
1.1: T.S.Eliot's Understanding of "Tradition"
1.1.1: The Concept of "Tradition" before T.S.Eliot
1.1.2: T.S.Eliot's Reinterpretation of "Tradition"
1.1.3: The Reason of T.S.Eliot's Reinterpretation of "Tradition"
1.2: "Tradition" in "The Love Song of J.Alfred Prufrock"
1.2.1: A Brief Introduction to "The Love Song of J.Alfred Prufrock"
1.2.2: Allusions in "The Love Song"
1.2.3: Borrowing of Freud's Theory in "The Love Song"
1.2.4: "Originality" and "Tradition"
1.2.5: Intertextuality and "Tradition"
1.3: How T.S.Eliot Achieves the "Tradition"
1.3.1: Excellent Educational Background
1.3.2: The Influence of Certain Literary Traditions
Chapter Two: The Notion of "Objective Correlative" Practiced in "The Love Song of J.Alfred Prufrock"
2.1: T.S. Eliot's Understanding of "Objective Correlative"
2.1.1: The Articulation of "Objective Correlative"
2.1.2: The Principle of "Objective Correlative"
2.2: "Objective Correlative" in "The Love Song"
2.2.1: Some Important Principles of New Criticism
2.2.2:Examples and Effects of "Objective Correlative" in "The Love Song"
2.2.3: Techniques of Dramatic Monologue and Fragmentation
2.3: How T.S.Eliot Achieves the "Objective Correlative"
2.3.1: The Influence of French Symbolists
2.3.2: The Influence of Metaphysical Poets
Chapter Three: The Anti-Romantic Idea of "Depersonalization" Practiced in "The Love Song of J.Alfred Prufrock"
3.1: An Analysis of Eliot's Anti-Romantic Idea of "Depersonalization"
3.1.1: The Articulation of "Depersonalization"
3.1.2: The Reasons for Eliot's Advocacy of "Depersonalization"
3.2: How Eliot Achieves the Anti-Romantic Idea of "Depersonalization" in "The Love Song"
3.2.1: Anti-Romantic Irony
3.2.2: Anti-Romantic Image and Atmosphere
3.2.3: Extinguish Personal Emotions and Transfer them into Artistic Ones
3.3: Personality in "Depersonalization"
Conclusion
Bibliography
本文编号：3960249
【文章页数】：65 页
【学位级别】：硕士
【文章目录】：
Introduction
Chapter One: The Theory of "Tradition" Practiced in "The Love Song of J.Alfred Prufrock"
1.1: T.S.Eliot's Understanding of "Tradition"
1.1.1: The Concept of "Tradition" before T.S.Eliot
1.1.2: T.S.Eliot's Reinterpretation of "Tradition"
1.1.3: The Reason of T.S.Eliot's Reinterpretation of "Tradition"
1.2: "Tradition" in "The Love Song of J.Alfred Prufrock"
1.2.1: A Brief Introduction to "The Love Song of J.Alfred Prufrock"
1.2.2: Allusions in "The Love Song"
1.2.3: Borrowing of Freud's Theory in "The Love Song"
1.2.4: "Originality" and "Tradition"
1.2.5: Intertextuality and "Tradition"
1.3: How T.S.Eliot Achieves the "Tradition"
1.3.1: Excellent Educational Background
1.3.2: The Influence of Certain Literary Traditions
Chapter Two: The Notion of "Objective Correlative" Practiced in "The Love Song of J.Alfred Prufrock"
2.1: T.S. Eliot's Understanding of "Objective Correlative"
2.1.1: The Articulation of "Objective Correlative"
2.1.2: The Principle of "Objective Correlative"
2.2: "Objective Correlative" in "The Love Song"
2.2.1: Some Important Principles of New Criticism
2.2.2:Examples and Effects of "Objective Correlative" in "The Love Song"
2.2.3: Techniques of Dramatic Monologue and Fragmentation
2.3: How T.S.Eliot Achieves the "Objective Correlative"
2.3.1: The Influence of French Symbolists
2.3.2: The Influence of Metaphysical Poets
Chapter Three: The Anti-Romantic Idea of "Depersonalization" Practiced in "The Love Song of J.Alfred Prufrock"
3.1: An Analysis of Eliot's Anti-Romantic Idea of "Depersonalization"
3.1.1: The Articulation of "Depersonalization"
3.1.2: The Reasons for Eliot's Advocacy of "Depersonalization"
3.2: How Eliot Achieves the Anti-Romantic Idea of "Depersonalization" in "The Love Song"
3.2.1: Anti-Romantic Irony
3.2.2: Anti-Romantic Image and Atmosphere
3.2.3: Extinguish Personal Emotions and Transfer them into Artistic Ones
3.3: Personality in "Depersonalization"
Conclusion
Bibliography
本文编号：3960249
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