半个世纪以来李清照形象中西对比研究
发布时间：2022-09-29 11:11
近半个世纪以来，西方世界的李清照研究取得了很大的进展和成就。尤其在李清照的性情、诗词的主题和内容，以及创作手法方面收获颇丰，而且研究所采取的切入视角也是新意迭出。自上世纪六十年代始，李清照的作品便经海外学者大量地译介到了英语世界。这些海外学者中也不乏众多华裔，他们一道为实现这一对比研究的可能性做出了突出贡献。 透过大量的海外译本和研究论著，我们发现西方学者眼中的李清照形象和国内学者发掘的形象有许多是共通的，中西学者对李清照伟大内涵的界定都是基于其娴熟的诗词创作技巧和琴棋书画兼善的素养，从而将她奉为中国古代历史上最为优秀的女性作家；他们尤为重视李清照作品中呈现出的爱情、婚姻里的女性形象，这是中西方在跨文明的对话中寻找到的一个共同话题；此外，他们还对李清照关心国家命运、热爱生活、花影满身和“酒鬼”等这些美好的女性品质都表现出了欣赏和钦佩。中西学者在李清照研究中也存在许多的差异性，而且这种差异性具备更高的学术价值。中国学者眼中李清照的多愁善感在西方学者笔下显得过于放荡不羁；原作中的性隐晦或本来与性无关的内容被牵强地涂抹上了性色彩。除此之外，西方学者研究中的一个亮点就是运用西方文学批评理...
【文章页数】：68 页
【学位级别】：硕士
【文章目录】：
摘要
Abstract
Chapter Ⅰ Introduction
1.1 Background of the Thesis
1.2 Aim and Significance
1.3 Structure of the Thesis
Chapter Ⅱ Literature Review
2.1 Domestic Studies of Li Qingzhao
2.2 Reception of Li Qingzhao in the Western World
2.2.1 Translations of Li’s Literary Works
2.2.2 Achievements on Studies of Li Qingzhao
Chapter Ⅲ The Same Literary Mind: Points of Similarities in Images
3.1 The Greatest Patriotic Poetess inAncient China
3.1.1 An Unswerving Patriot
3.1.2 AStrict Literary Critic
3.2 ASentimental Woman in Love and Marriage
3.2.1 The Flower of Love
3.2.2 The Forgivable Remarriage
3.3 AVivacious Girl, anAnthomaniac, and a Woman Winebibber
3.3.1 An Anthomaniac with a Carefree Youth
3.3.2 AWoman Winebibber Takes Wine as a Listener
Chapter Ⅳ Different Interpretation: Image Variation in Heterogeneous Culture
4.1 Argumentation from the Perspective of Feminism
4.1.1 Femininity in Li’s Literary Works
4.1.1.1 The Real Femininity in Women’s Voice
4.1.1.2 Archetypal Works ofAndrogyny
4.1.2 “The Other” in Male-Dominant Literary Tradition
4.1.2.1 Li Qingzhao and Female Literary Tradition in Ancient China
4.1.2.2 Li Qingzhao’s Role in Male-Dominant Literary Tradition
4.1.3 An “Abandoned Woman” in Fixed Feudal Roles
4.1.3.1 Competitive and Brave, but Impotent to Change
4.1.3.2 Yearning in Words, Complaint in Silence
4.2 APoet of Erotic Spirit
4.3 ABohemian in Feudal Society
4.3.1 Not Being Modest in Showing Talents
4.3.2 Care Little about Confucian Rules
4.4 AComposed Woman with No Specific Religious Belief
4.4.1 Lukewarm in Confucianism, Buddhism and Taoism
4.4.2 Mature and Peaceful in Mind
Chapter Ⅴ Reflections on the Similarities and Variations
5.1 Similarity—Basis of Comparability
5.2 Variation—Core of Comparability
5.2.1 Cultural Filtration and Literary Misreading
5.2.1.1 Cultural Pre-understanding
5.2.1.2 Recipient’s Subjectivity
5.2.1.3 Variation at Language Level
5.2.2 Inspirations from Western Literary Theory
Chapter Ⅵ Conclusion
Bibliography
Acknowledgements
【参考文献】：
期刊论文
[1]东西方不同文明文学比较的合法性与比较文学变异学研究[J]. 曹顺庆. 外国文学研究. 2013(05)
[2]风筝之线——评王红公、钟玲翻译的李清照诗词[J]. 郑燕虹. 外语学刊. 2011(03)
[3]近二十年李清照研究述评[J]. 张强. 文学遗产. 2004(05)
[4]李清照的女性意识[J]. 张忠纲,綦维. 文史哲. 2001(05)
[5]论李清照的反传统精神[J]. 张学忠. 社会科学研究. 1998(03)
本文编号：3682486
【文章页数】：68 页
【学位级别】：硕士
【文章目录】：
摘要
Abstract
Chapter Ⅰ Introduction
1.1 Background of the Thesis
1.2 Aim and Significance
1.3 Structure of the Thesis
Chapter Ⅱ Literature Review
2.1 Domestic Studies of Li Qingzhao
2.2 Reception of Li Qingzhao in the Western World
2.2.1 Translations of Li’s Literary Works
2.2.2 Achievements on Studies of Li Qingzhao
Chapter Ⅲ The Same Literary Mind: Points of Similarities in Images
3.1 The Greatest Patriotic Poetess inAncient China
3.1.1 An Unswerving Patriot
3.1.2 AStrict Literary Critic
3.2 ASentimental Woman in Love and Marriage
3.2.1 The Flower of Love
3.2.2 The Forgivable Remarriage
3.3 AVivacious Girl, anAnthomaniac, and a Woman Winebibber
3.3.1 An Anthomaniac with a Carefree Youth
3.3.2 AWoman Winebibber Takes Wine as a Listener
Chapter Ⅳ Different Interpretation: Image Variation in Heterogeneous Culture
4.1 Argumentation from the Perspective of Feminism
4.1.1 Femininity in Li’s Literary Works
4.1.1.1 The Real Femininity in Women’s Voice
4.1.1.2 Archetypal Works ofAndrogyny
4.1.2 “The Other” in Male-Dominant Literary Tradition
4.1.2.1 Li Qingzhao and Female Literary Tradition in Ancient China
4.1.2.2 Li Qingzhao’s Role in Male-Dominant Literary Tradition
4.1.3 An “Abandoned Woman” in Fixed Feudal Roles
4.1.3.1 Competitive and Brave, but Impotent to Change
4.1.3.2 Yearning in Words, Complaint in Silence
4.2 APoet of Erotic Spirit
4.3 ABohemian in Feudal Society
4.3.1 Not Being Modest in Showing Talents
4.3.2 Care Little about Confucian Rules
4.4 AComposed Woman with No Specific Religious Belief
4.4.1 Lukewarm in Confucianism, Buddhism and Taoism
4.4.2 Mature and Peaceful in Mind
Chapter Ⅴ Reflections on the Similarities and Variations
5.1 Similarity—Basis of Comparability
5.2 Variation—Core of Comparability
5.2.1 Cultural Filtration and Literary Misreading
5.2.1.1 Cultural Pre-understanding
5.2.1.2 Recipient’s Subjectivity
5.2.1.3 Variation at Language Level
5.2.2 Inspirations from Western Literary Theory
Chapter Ⅵ Conclusion
Bibliography
Acknowledgements
【参考文献】：
期刊论文
[1]东西方不同文明文学比较的合法性与比较文学变异学研究[J]. 曹顺庆. 外国文学研究. 2013(05)
[2]风筝之线——评王红公、钟玲翻译的李清照诗词[J]. 郑燕虹. 外语学刊. 2011(03)
[3]近二十年李清照研究述评[J]. 张强. 文学遗产. 2004(05)
[4]李清照的女性意识[J]. 张忠纲,綦维. 文史哲. 2001(05)
[5]论李清照的反传统精神[J]. 张学忠. 社会科学研究. 1998(03)
本文编号：3682486
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